Notes on Bouree I and II During Hyperbaric Therapy

To help pass the 2 hours spent in the hyperbaric chamber every morning, this morning I jotted down everything I could think of related to Bouree I and II.

Bouree I

Overall: Keep the bow moving; use more bow, be fluid, place finger pads firmly on strings to avoid squeks. Bear down with the index finger when more pressure is needed.

Start mid bow, up bow, loud enough so the upcoming P is different. Combination of slurs and spicatto. Nail the C and the trill, F. Upbow again, MF followed by P, nail the G and all following. Make sure 6-9 is even and F. Repeat.

In the second section of Bouree I, start upbow, MF. In measures 12-14, make sure to hit the A,G#, F#. Bar the B and E which are played P. The next two measures are P, followed by F for two measures and then back to P. Make sure to play these dynamics as B indicated there was no difference in my dynamics last week. Make sure the repeat of 6 to 9 is played evenly; this time it is P, rather than F as it is in the first part. Watch the accents in the middle of this section. Think of Bouree I as a lively dance.

Bouree II

This is a dreamy, lazy dance. Even if the music indicates it, there is NO spicatto. I changed the 8 note slurs to 4 and 4, based on what some of the other copies of this music indicated. Hope this will be OK with B. The entire piece is mainly P and PP. Use the entire bow. Still need a lot of work on the fingerings. Try to remember to vibrato the quarter, half and doted half notes. The final chord can be played separate, but must be in tune; it is also P.

Bach Suite III Bouree I and II

January 29

In I, still not watching the dynamics; also played too fast

In II, play pianissimo throughout. Make sure the bow travels and make sure to use the whole bow. Make sure that Bouree I and Bouree II are very different in style. Be more confident.

Put fingers down firmly when playing.

For next week, will continue to work on Bouree I and II but will also work on the first part of the Gigue. B wrote in fingerings, bowings, etc. No staccato where she slurred the bowing.

Played Bouree I and II for lesson on January 8, 2010. Actually went better than I thought it would.

Bouree I:
Make sure to show difference between P and F dynamics, especially in measure 2. In measure 6, play smoothly and evenly, not skippy and eractic like I did. Overall, play p for those sections that are not the main theme of the piece.

Bouree II:
This has a very different feel than the first Bouree; it is seemless, dream sequence, hazy, pastel and muted tones. Even though ther piece has many staccato marks, ignore them. Most of the piece is played p. In the first play through, use first position; in the repeat, play in 2nd position. Make sure the CC chords throughout are in tune. The chord can be broken.

I will start working on these pieces for my next lesson, which is January 8, 2010. Unsure of the bowings; I have 5 different versions of the Suites, ranging from virtual sheet music to the Schirmer's Library of Musical Classics and the bowings are different in every version. I think I'll go with the Schirmer and hope for the best. My main concern will be the notes, tempo, dynamics; if I can get those decent in the next 3 weeks hopefully any bowing changes B makes won't completely throw me.

January 15, 2010

Bouree I

There is not enough difference in the dynamics. Keep the bow moving. Use index finger to help control the bow especially in 6-9 and 27-29. Make sure those sections are even and not skippy.

Overall, I is still too punchy; needs to be more fluid. Lots of squeaking; make sure fingers are firmly on the strings.

Bouree II

Recheck fingerings; should not be any fourth fingers played above the D on the D string.

Overall, use more bow.

Will stay in 2nd position throughout II.